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Director of photography Ben Davis used Arri Alexa XT cameras for the film, saying, "I'm traditionally a photochemical fan, but going with the digital format was the right way for this movie ... the Alexa [provided] the right look for this particular film". During the opening scenes in the 1980s, Davis chose JDC Cooke Xtal (Crystal) Express anamorphic prime lenses because they "had more anamorphic artifacts and aberrations, which [he] felt added something". Davis used spherical Panavision Primos for the rest of the film. Additionally, Davis worked closely with production designer Charles Wood in order to achieve the correct lighting looks for each scene. Dealing with two fully CGI characters forced Davis to shoot scenes multiple times, usually once with the references for the characters and once without them in the shot.
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